greykit.poetry — John Donne
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1633
[john-donne]
A Valediction: forbidding mourning
Parting should be as quiet as the death of virtuous men — no tear-floods, no sigh-tempests — because a love refined beyond the senses only stretches, like gold to airy thinness, or like the two legs of a compass.
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1633
[john-donne]
Holy Sonnet X: Death be not proud
Death is addressed to its face and steadily demoted — from dreadful power to a slave of fate and chance, no better than poppy or charms at bringing sleep — until the last line kills it outright.
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1633
[john-donne]
Holy Sonnet XIV: Batter my heart, three person’d God
A prayer that asks God to stop knocking and start breaking: the speaker is a usurped town whose viceroy reason has proved untrue, and only being imprisoned can free him, only being ravished can make him chaste.
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1633
[john-donne]
The Flea
A flea that has bitten them both becomes, by three turns of outrageous logic, their marriage bed and marriage temple — and when she kills it and nothing is lost, the argument simply changes sides and wins anyway.
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1633
[john-donne]
The Sunne Rising
The sun is scolded through the bedroom curtains as a busy old fool and a saucy pedantic wretch — until the poem swallows the world whole: she is all states, he all princes, and this bed is the centre the sun must warm.
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1633
[john-donne]
The good-morrow
Everything before this love was a sucking on country pleasures, a sleep in the seven sleepers' den; waking, the lovers find each other's faces in each other's eyes and make one little room an everywhere that cannot die.